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​​ART&DECOR ​ARTISANS ​ARTIFACTS​ ​​​ANTIQUARY ​


VISUAL ART

"​LIFE AFTER SCHOOL"


ART OF LIFE
​GIVES ART VITALITY


eolo tomassoni graffiti art


THE FIRST JOURNEY THAT EOLO MADE TO CHINA WAS A JOURNEY OF ONLY TWENTY DAYS, BUT IT WAS MORE THAN ENOUGH TO MAKE HIM AWARE THAT HIS ARTISTIC RESEARCH COULD NOT BE LIMITED TO THE WESTERN SPHERE OF ART. THEREFORE WITH ENTHUSIASM AND COURAGE HE STARTED TO STUDY THE CHINESE LANGUAGE, CULTURE AND THE ART OF THE ORIENT. THE WORKS THAT WE WILL SEE NOT ONLY REFLECT HIS RESEARCH OF ORIENTAL CULTURE BUT ALSO THE ORIENT OF YESTERDAY AND THAT OF TODAY. A WORLD WHERE TRADITION AND WESTERNIZATION COEXIST IN AN ORIENT SICK OF MATERIALISTIC GREED AND OPPORTUNISM. 





​​PEONY

eolo tomassoni chinese art

THE PEONY IS A FLOWER VERY REPRESENTATIVE OF CHINA, IN THIS CASE THE PAINTING TECHNIQUE IS CALLED IN CHINA, GONG BI, WHICH GIVES IMPORTANCE TO THE CAPACITY OF PAINTING IN AN ACCURATE WAY AND WITH DIFFERENT COLOUR STRATIFICATIONS ACCORDING TO CHINESE TRADITION. HOWEVER EOLO HAS A PERSONAL TOUCH. 





​DETAIL

eolo tomassoni chinese art

THE DETAIL SHOWS US  PERIMETER OF BOUNDARY IN INK, THE SHADES OF LIVE BLUE AND GREEN TONES, BUT AT THE SAME TIME EOLO ADDS THIN WHITE BRUSHSTROKES.





​​DAIYU BURIES FLOWERS

eolo tomassoni chinese art

DAI YU IS A CHARACTER FROM THE FAMOUS CHINESE BOOK "THE DREAM OF THE RED HOUSE". IT IS VIEWED THAT SHE BURIES FLOWERS THAT REPRESENT THE EVANESCENT BEAUTY AND FRAGILITY OF HUMANITY.





​DETAIL

eolo tomassoni chinese art

THIS PAINTING HOWEVER IS TRADITIONAL CHINESE IS ALL UNCONVENTIONAL WHETHER FOR PAINTING TECHNIQUE OR DECORATIONS. MINUTE DECORATIONS ARE A SPECIALITY OF THIS SUBJECT CARRYING THE WESTERN TONES.





BEIJING OPERA

eolo tomassoni chinese opera

 BEIJING OPERA WAS AND REMAINS THE BEST EXAMPLE OF UNION OF ALL THE CHINESE ARTS. IT IS CALLED THE JADE OF THE EMPIRE.  BEIJING OPERA WAS AND REMAINS THE BEST EXAMPLE OF UNION OF ALL THE CHINESE ARTS. IT IS CALLED THE JADE OF THE EMPIRE. EOLO AFTER HIS FIRST SHOW OF BEIJING OPERA, MADE FRIENDS WITH THE ACTORS AND OFTEN WENT TO SEE SHOWS, LIVING LIFE BEHIND THE SCENES OF THE OPERA, A UNIQUE AND REAL EXPERIENCE.





​​BEIJING OPERA

eolo tomassoni chinese opera

 BEIJING OPERA IS DIVIDED INTO DIFFERENT ROLES OR DAN, THE STORIES ARE VERY OLD, AND OFTEN TALK ABOUT REAL PEOPLE WHO LIVED PREVIOUSLY, OR THE CHARACTERS ARE INVENTED BUT TRUE AND REAL HEROES, LIKE THE MONKEY KING, THE CHARACTER  OF THE TALE "JOURNEY WEST" THIS MONKEY KING IS A LIKABLE CHARACTER, AND BEFITS EOLO. IN FACT HE STUDIED A WHOLE YEAR AN ENTIRE BEIJING OPERA, WHILE STUDYING CHINESE. THIS HUGE LOAD OF TRADITION AND SPIRITUALITY GAVE EOLO THE RIGHT INSPIRATION.





CAT EYES

eolo tomassoni art

A JOCKEY AND IRONIC WAY OF PAINTING A PORTRAIT OF HIS OWN GIRL, LI XIAO LAN, A SMALL, SWEET BUT OPPORTUNISTIC, STEREOTYPE OF THE CURRENT CHINESE WORLD.





AWAKENING

eolo tomassoni art

FEW TRAITS BUT WELL DETERMINED. THE AWAKENING AFTER A NICE DREAM, THEN THE HESITANCY TO STEP BACK INTO EVERYDAY REALITY. AN ASIAN WOMAN OF IRREPRESSIBLE SEXUALITY MASKED BY A QUASI-STATIC PRETENCE. BUT MOSTLY CAPTIVATING AND HYPNOTIC. 





QING YI

eolo tomassoni chinese opera

QING YI IS ONE OF MANY DAN OF BEIJING OPERA. THIS IS LIKE SINGING AND AT THE SAME TIME ENCHANTING THE LISTENER. THE PREROGATIVE OF BEIJING OPERA IS THE SOUNDS THAT ARE SUNG NOT LIKE IN ITALIAN OPERA, IN FACT THEY USE A LONG AND ACCENTUATED TONALITY, TOGETHER WITH GESTURES AND LOOKS THAT CAN TRULY CHARM THE SPECTATOR. NOT TO BE CONFUSED WITH MAOIST BEIJING OPERA OR THE CULTURAL REVOLUTION, NOT EQUAL TO THE FIRST. 





BEFORE SLEEP

eolo tomassoni art

EXCELLENT LINES OF UNIQUENESS AND SPONTANEITY THAT DEMONSTRATE THE CONSCIENCE OF THE SUBJECT, INTEGRATED BY THE ARTIST. 





SPRINGTIME

eolo tomassoni art

THIS PICTURE HAS A WOMAN WHO LOOKS AT BLOSSOMING FLOWERS, THE SPRING, THE YOUTH. IT IS A GLIMPSE OF CURIOSITY BUT DOES NOT LEAVE THE INTERNAL PLEASURE TO TRANSPIRE, THIS IS NOT TO EXTERNALIZE, WHICH IS TYPICAL OF ORIENTAL CULTURE, AND IN FACT THERE IS NO ACTION OR EXPRESSION OF FEELING, LIKE WE HAVE IN WESTERN CULTURE. 





EMBRACE

eolo tomassoni art

 ALSO IN THIS CASE AN EXPRESSION LIKE A HUG SHOULD LET US SEE TWO ARMS THAT WANT TO EMBRACE EACH OTHER. ONE ARM IS SHAMEFUL AS IT SHAMEFULLY COVERS SEX, BUT ANOTHER ARM IS RELAXED THAT IT ALMOST INVITES ANYBODY TO LIE WITH HER. A MENTAL DUALISM. 





​GOLD CHAIR

eolo tomassoni art

SYMBOL OF COMFORT WHERE EVERYONE FEELS FREE AND RICH. MATERIALISM IS THE DEEPEST EVIL IN CHINA. 





​ARMCHAIR

eolo tomassoni art

A VERY ENIGMATIC PICTURE OF DUALISTIC CONCEPTION. 





​MEMORIES

eolo tomassoni art

THE PAST LIVES AGAIN IN THE BODY OF WOMAN AND CHARACTERISES HER. 





​POWER

eolo tomassoni art

IN ASIA THE FORCE HAS AN IGNORANT LOOK, RUDE AND WITHOUT MORAL. 





GALLOP

eolo tomassoni art

THE DESIRE TO LEAVE CULTURAL SHACKLES OF THE CHINESE IS GALLOPING. 





​TIMID

eolo tomassoni art

MODESTY HIDDEN FROM A SENSUALITY YOU CANNOT HIDE.  





​SEDUCTION

eolo tomassoni art

THIS WORK WAS DONE ON GLOSSY PRINT PAPER USING A TECHNIQUE STUDIED BY EOLO IN CHINA CALLED, HUAZI. AND AFTER SPLASHED COLOUR DIRECTLY ONTO PAPER. A CALL TO GUSTAVE KLIMT, EMPHASIZED BY BAROQUE SPONTANEITY. 





​ITALIAN LANDSCAPE​

eolo tomassoni art

DIFFERENT TRIPS MADE TO FOREIGN COUNTRIES DON'T MAKE HIM FORGET ITALY.





​​DETAIL​

eolo tomassoni art

AN OAK TREE IS IN THE MIDDLE OF THE FIELD OF LIFE. 





​​​WOMEN FRIENDS​

eolo tomassoni art

FOUR WOMEN AND THEIR VANITY. 





​AIR​

eolo tomassoni art

THE MASS MEDIA AND THE FINANCIAL PROGRESS IN SOME WAY RAISED THE STANDARD OF LIVING OF CHINA. THE CONSUMERISM AND FASHION WEAR FROM KOREA BROUGHT MANY PEOPLE TO COMPLY WITH NOT ONLY THE AMERICAN EUROPEAN MODEL, BUT ALSO TO NOW CHANGE THEIR APPEARANCE THROUGH PLASTIC SURGERY. 





​WATER

eolo tomassoni art

THERE ARE NO ETHICS IN BUSINESS, SO ANY MERCHANT MUST BE SEEN AS A MEDUSA WITH HAIR OF SNAKES. ANYONE WHO HAS TRIED TO START A BUSINESS IN CHINA CERTAINLY DID NOT FIND RULES TO FOLLOW, THE WORD HAS NO VALUE. HERE ARE "GUANXI" AND "RENQING" CONNECTIONS AND MUTUALLY BENEFITING FRIENDSHIPS. 





​EARTH

eolo tomassoni art

IN THE COUNTRYSIDE OF CHINA AND IN SOME CITIES WE STILL HAVE A  PURELY SEXIST SOCIETY. FAR FOR RESEMBLE THE WOMAN, THE CHINESE MAN EVEN IF IS A BUSINESSMAN HE SEEMS AS A FARMER. THERE IS NO FAMILY CONCEPT, THE TEMPTATION TO GET RICH WHILST LETTING GO OF TRUE VALUES. 





​FIRE

eolo tomassoni art

AN IMAGE TAKEN FROM THE COUNTRYSIDE OR A FISHING VILLAGE. ON HAINAN ISLAND STILL MANY WOMEN ARE EXPLOITED BY AN ARCHAIC AND MALE MENTALITY. MEN PRACTICALLY DO NOTHING, AND WOMEN WORK FOR THEIR MAN. THE EMANCIPATION IS ONLY FOR THE RICH, THE POOR STILL SUFFER. 





​LITTLE WANG

eolo tomassoni art

XIAO WANG IS A TYPICAL BEAUTY OF NORTH CHINA. TRAITS OF MANCHURIA THAT CATCH A GLIMPSE OF KOREAN AND JAPANESE INFLUENCES. CHINA CLAIMS TO HAVE 56 ETHNICITIES, BUT IN REALITY THERE IS NO DNA FOR THESE ETHNICITIES OF THOSE MANY ARE MIXED, LUCKILY. 





​​DETAIL

eolo tomassoni art

A FEATURE OF THIS PICTURE IS THE YELLOW BACKGROUND, YELLOW IS PRONOUNCED HUANG, IT ALSO MEANS EMPEROR, BUT THE CHARACTER IS DIFFERENT. DESPITE MEANING KINGSHIP, NOW WHEN THE EMPEROR HAS BEEN AS IMMORAL. 





​BLUE WOMAN 

eolo tomassoni art

THIS ARTWORK WAS DONE IN HAINAN, THEN THE BLUE, THAT IS THE SEA AND THE SKY ARE THE SAME SYMBOL OF THAT ISLAND. HAINAN IN 2001 WAS STILL A CLEAN ISLAND. NOW BLOCKS ARE SPRINGING UP 100 METRES FROM THE BEACH, THERE IS ALSO ONE OF THE GREAT MILLS OF THE WORLD, AND A SPACE LAUNCH PAD. HOW LONG WILL IT STAY BLUE AND CLEAN FOR? IS IT WISE TO DESTROY OR POLLUTE IT FOR MONEY? 





​​DETAIL

eolo tomassoni art

THE BLUE AND THE ROSE, THE CLEAN AND HUMAN BEAUTY. THESE ARE THE RIGHTS OF HAINAN ISLAND. EVERY YEAR A HOST OF CHINESE PEOPLE SPEND CHINESE NEW YEAR HERE. THE CHARM IN THE SHAPE OF A SHELL RETRACES THE ANCIENT CHINESE CONCEPT OF MONEY, AS A SHELL. SO NATURE WAS AND STILL IS THE BEST ATTRACTION FOR PEOPLE , EVEN IF THEY LIVE FOR THE MAJORITY TIME EARNING MONEY IN THE CITY. 





​​NOTHING

eolo tomassoni art

THIS IS ONE DETAILED WORK CALL "NOTHING". A WOMAN COMPLETELY STRIPPED OF EVERYTHING, NOT JUST CLOTHES. 





​​COMPROMISE

eolo tomassoni art

THIS IS ONE DETAILED WORK CALL "cCOMPROMISE". A WOMAN LIVING IN THIS SOCIETY HAS TO DO A LOT OF COMPROMISES FOR ACHIVE SOME TARGET.





​​EXIBITIONS





ROME


eolo tomassoni art exibition

IN THIS PICTURE TAKEN FROM THE ARCHIVES, EOLO TOMASSONI RECEIVES AN AWARD FROM THE ART CRITIC ANNA IOZZINO DURING AN EXHIBITION.





 GUANG
​ZHOU


eolo tomassoni art exibition

HERE SOME PICTURES OF THE WORKS BY EOLO FROM A COLLECTIVE EXPOSITION DURING THE BREAKING ART FESTIVAL IN GUANGZHOU 2013. 





SANYA


eolo tomassoni art exibition

PERSONAL EXPOSITION IN SANYA.




eolo tomassoni art exibition

JAMMING WITH OTHER ARTISTS.





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